Where's My Phone?

Mitski · 120 BPM · 4/4

Where's My Phone?

Mitski · Capo 3

0:000:00
CapoPlace capo at fret 3; pitch is unchanged.

G

G213
 Where did it go?
 Where's my phone?
 WheGre's my phone?
D

♪ instrumental ♪

DWhere Edid I leavBe?
BWheCre'd I Ggo?
GWhere'd I go?
E

♪ instrumental ♪

EA womanB always on the street, cCalled me a ditch
C"A diGtch on my block," she said
GI just want my mFind to be aE clear glass
EClear glass witBmh nothing in myC head
C

♪ instrumental ♪

CI keepG thinking surely somebCody will save me
CAt eveGry turn I leaErn that no one will
EI just want my mind to be aG clear glass
GClear glaDss with nothing instEead
E

♪ instrumental ♪

EOh, wherBe did I leCave?
CWherGe'dF I Ego?
EWhere'd I gGo?
G

♪ instrumental ♪

GWhereD did it Emgo?
EWhere'Bs my phCone?
CWheGre's my phoDne?
B

♪ instrumental ♪

BIf nighCt is like you punched aG hole into tomorrow
GI would **** the hole all night long
 I'll sGtay out until Fmy mind is likEe a clear glass
EClear glass wBmith nothing gCoing on
C

♪ instrumental ♪

COr like a Gbug floating in thCe melted amber
COf a citFronellEa candle
EI will float until my mind is like a cGlear wax
GClear wDax melted in tEhe dome
E

♪ instrumental ♪

EClearB wax melteCd in the dGome

Tap any line to jump

All Chords Used (8)
KeyBb major
CapoFret 3
Tempo~120 BPM

How to play Where's My Phone? by Mitski on guitar

These are the sounding chords. With a capo on fret 3 you play G, D, E, B, C, F and more, the shapes the player above shows.

This song is a good pick if you want something driving and focused, with a steady feel that sits well at about 120 BPM. It is a strong choice for building confidence because the harmony moves in a clear, repeating way and rewards clean changes more than flashy technique.

You will mix open shapes with barre shapes, so the main challenge is keeping your hand relaxed while you switch. The open chords are F, G, D, and Dm, while the harder barre shapes are A#, D#, G#, and Gm. The change to watch most closely is the opening move from A# to F, then into G and D, since that shift sets the pace for the rest of the chart.

Start by looping the opening progression slowly until each change feels automatic. Then practice the barre shapes on their own, especially A#, D#, G#, and Gm, before joining them back to the open chords. Once the transitions are smooth, bring it up to tempo and focus on staying even through the full progression.

Use the play-along above to follow each chord change in time with the music, or learn the shapes first with the chord diagrams below.

Looking for more? Browse the full guitar song library or explore chord diagrams.

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