Luke Combs – Ain’t No Love In Oklahoma (From Twisters: The Album)

Luke Combs · 120 BPM · 4/4

Luke Combs – Ain’t No Love In Oklahoma (From Twisters: The Album)

Luke Combs · Capo 3

0:000:00
CapoPlace capo at fret 3; pitch is unchanged.

A

A123
 作词 : AJessi Alexander/Luke Combs/Jonathan Singleton
A作曲 : JesCsDiC AlAexander/Luke Combs/JFonAathan Singleton
AI keep chasin' thatAm same old devil down Athe same old dead end highway
ARidin' that storm runniAmn' through my veiDns like a shAot down tail spunDm airplane
 ScAared of nothinC' and I'm scared to dDeath
DI can't breathe then I catAch my breath
ABut I keep chasin' tChat sameAm old devil dDown the same oldA dead end hAmighway
AmAiAn't no lovGe in OklahoDma
DJust the whistle of a long blaAck train
AYou'll know when Git's comin' for Dya
DRidin' in on tAhe wind and rain
A

♪ instrumental ♪

AI got saved in theC same red river, tDhe same red river tried to drAown me
AIt ain't knockin' me down CI'm standin' my grounDd with the wholGe world fallin' all around Ame
AI keep runninC' but I'm standin' stiDll
DPray for peace but I need the thrAill
ASo I keep chasin' thCat same old devil Ddown the same old dead end highway
AAin't no lovGe in OklaDhoma
DJust the whistle of a long blacAk train
AYou'll know when iGt's comin' for ya
DRidin' in on tAhe wind and rain
D

♪ instrumental ♪

DAin'At no lovGe in OklahomDa
DJust the whistle of a long blAack train
AYou'll know when iGt's comin' foDr ya
DRidin' in on the windC and rain
 AAin't no lovGe in OklaDhoma
DJust the whistle of a long blaAck train
AYou'll know whGen it's comin' for yaD
DRidin' in on tAhe wind and rain

Tap any line to jump

All Chords Used (7)
KeyC major
CapoFret 3
Tempo~120 BPM

How to play Luke Combs – Ain’t No Love In Oklahoma (From Twisters: The Album) by Luke Combs on guitar

This song is a great beginner play-along because it stays driving and steady at about 120 BPM, so you can focus on locking in the groove instead of chasing tricky changes. It feels bold and energetic, and once you settle into it, the progression gives you a strong, repeatable pattern that is fun to keep moving through.

You get a mix of open shapes and barre shapes, with C and F feeling easier under the fingers and D#, G#, Cm, Fm, and A# asking for more hand strength and cleaner pressure. The main change to watch is the opening C - D# - F - D# move, since it shifts quickly between an open shape and a barre shape, so make that transition smooth before you try to speed up.

Start by practicing just the opening progression slowly, making each chord ring clearly. Then loop C and F with D# until the changes feel automatic, and only after that bring it up toward full tempo. Keep your strums even, stay relaxed, and let the rhythm settle before pushing for speed.

Use the play-along above to follow each chord change in time with the music, or learn the shapes first with the chord diagrams below.

Looking for more? Browse the full guitar song library or explore chord diagrams.

Tutorials & guides for "Luke Combs – Ain’t No Love In Oklahoma (From Twisters: The Album)"

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