Fooled Around and Fell in Love

Elvin Bishop · 120 BPM · 4/4

Fooled Around and Fell in Love

Elvin Bishop · Capo 1

0:000:00
CapoPlace capo at fret 1; pitch is unchanged.

A

A✕123
AI must've Ebeen through about a mG#million girls
G#mI'd lovDe 'em, and I'd lAeave 'em alone
AI diEdn't care how much they G#mcried, no sir
G#mTheirD tears left me cold aAs a stone
ABut then I Efooled around and fG#mell in love
G#mI foolDed around and felAl in love
AI fooleEd around and feG#mll in love
G#mFooleDd around and fellA in love
AIt used to beE when I'd see a girl thaG#mt I liked
G#mI'd get out mDy book and write downA her name
ABut when the Egrass got a little greeG#mner on the other side
G#mI'Dd just tear out thAat page
ABut then I Efooled around and fG#mell in love
G#mI fooled arDound and fell in love, sincAe I met you, baby
AI foolEed around and feG#mll in love
G#mI fooleDd around and felAl in love
A

♪ instrumental ♪

AFree Eon my own, that's the G#mway I used to be
G#mBut sinDce I met you baby, love's Agot a hold on me
A(Fooled arouEnd and fell in love) whoo, it's gotG#m a hold on me now, yeah
G#m(Fooled arDound and fell in love) I can't Alet go of you, baby
A(Fooled arouEnd and fell in love) I can't sG#mtop loving you now
G#m(Fooled arDound and fell in love) heyA, 'cause I fooled around
A(FoEoled around and fell in love)
EI fooled around (fooled around)
EI foolG#med around (fooled around)
G#mI fooled around (Dfooled around)
D(Fooled around aAnd fell in love)
AFooled arouEnd, fooled around, yes, I did
E(Fooled aG#mround) I fooled around
G#m(Fooled around) oDh, I fooled
D(Fooled around anAd fell in love)
AI fooled aEround, I fell in love
E(FoolG#med around) hey-hey
G#m(Fool around, fool around)
A

♪ instrumental ♪

Tap any line to jump

All Chords Used (4)
KeyF major
CapoFret 1
Tempo~120 BPM

How to play Fooled Around and Fell in Love by Elvin Bishop on guitar

These are the sounding chords. With a capo on fret 1 you play A, E, G#m, D, the shapes the player above shows.

This song is a great pick if you want a smooth, catchy groove that sits in a comfortable mid-tempo feel. You get a steady, singable progression that repeats often, so it is easy to lock in and start sounding musical quickly.

The open shapes, F and Am, should feel friendlier under your fingers, while A# and D# ask for more control because they are barre shapes. The main thing to watch is the move from A# to F and then into Am, since that shift can expose any hesitation in your fretting hand.

Start by looping the opening progression slowly until each change feels clean. Then practice the harder barre shapes on their own, add the open shapes back in, and finally run the full cycle with a steady pulse until you can keep the changes relaxed at speed.

Use the play-along above to follow each chord change in time with the music, or learn the shapes first with the chord diagrams below.

Looking for more? Browse the full guitar song library or explore chord diagrams.

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