The Marías - No One Noticed (Visualizer)

The Marías · 120 BPM · 4/4

The Marías - No One Noticed (Visualizer)

The Marías · Capo 2

0:000:00
CapoPlace capo at fret 2; pitch is unchanged.

Em

Em23
 MEmaGmybe I
GmLostC my mind
CNo onFe noticed
FNo one noticed
FIt's getting olGmd (I'd kinda like it if you'd call me)
GmAll alone ('cause I'mC so over beinAmg loneFly)
FMay Chave loFst it (I need a virtual connection)
FI have lost it (be my video obsession)
F

♪ instrumental ♪

FNo oGmne tried
GmTo rCead mFy AmeyesF
FNo one but you
FWish it weren't true
FMaybe I (I'd Gmkinda like it if you'd call me)
GmIt's not right ('cause CI'm so over being loFnely)
FMake you mine (I need a virtual connection)
FTake our time (be my video obsession)
FCoGmme on, don't leave me, it can't be that easy, babe
 If you bGmelieve me,C I guess I'll get on a Fplane
FFly to your city, excited to see your face
FHold me, console me, and then I'll leave without aGm trace
GmCome on, don't leave me, it can't be that easy, babe
GmIf you believe me, I gueAmss I'lFl get onC a planFe
FFly to your city, excited to see your face
FHold me, console me, then I'll leave without a trace
FCGmome on, don't leave me, it can't be that easy, babFe
FIf you believe meAm, I guess IF'll get Con a plFane
FFly to your city, excited to see your face
FHold me, console me, and then I'll leave without a trace (maybe I)
GmCome on, don't leave me, it can't be that easy, babe (it's not riFght)
FIf you believe me, I guess I'lAml get on a plFane (make you mine)
FFly to your city, excited to see your face (take our time)
FHold me, console me and then IAm'll leave withoGmut a trace
Gm

♪ instrumental ♪

GmI'd kinda like it if you'd call me (it's not rightC)
C'Cause I'm so over beingF lonely (makCe you mFine)
FI need a virtual connection (take our time)
FBe my video obsessioGmn
C

♪ instrumental ♪

Tap any line to jump

All Chords Used (5)
KeyG major
CapoFret 2
Tempo~120 BPM

How to play The Marías - No One Noticed (Visualizer) by The Marías on guitar

This song is a great beginner pick because it sits in a steady groove and gives you a smooth, laid-back feel to lock into. You can focus on clean changes and even timing instead of fighting a busy part, so it feels rewarding quickly.

You’ll spend most of your time on the open shapes Am, D, and G, with the harder barre shapes F#m and Bm adding the extra challenge. The main change to watch is the opening move from F#m into Am, since that jump can feel awkward until your hand learns the shift.

Start by looping F#m - Am - D - G slowly and making each chord ring clearly. Then practice the same order with a steady count, and only speed up once the barre shapes feel reliable. When that feels comfortable, play through the full progression a few times without stopping.

Use the play-along above to follow each chord change in time with the music, or learn the shapes first with the chord diagrams below.

Looking for more? Browse the full guitar song library or explore chord diagrams.

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