Santeria

Sublime · 90 BPM · 4/4

Santeria

Sublime · Capo 4

0:000:00
CapoPlace capo at fret 4; pitch is unchanged.

C

C✕321
CI don't practice SanEteria
EI ain't got no crystal baAll
AWell, I had a miAmllion dollars
AmBut GI, I'd spend it all
GIf I cCould find that Heina
CAnd that SanEcho that she's found
EWell, I'd poAmp a cap in Sancho
AmAnd I'Gd slap her dowCn
CWhat I really wanna kEnow
EAh, baby, mhAmm
AWhat I reAmally wanna sayG
GI can't definFe
FWell, it's lovGe
GThat I neAmed, oh
AmMy soul will Ghave to
GWait till I get back
GTo Amfind a HeiFna of my oGwn
GDaddy'Cs gonna love Fone and all
FIG feel the breCak
CFeel the break, feel the bEreak
EAnd I got live itAm up
AmOh, yeah, huh
AmWell,Gm I swear that I
CWhat I really wannaE know
EAh, babAmy
AmWhat I really wanna saGy
GI can't defFine
FGot lGove, make it go
FMGyC AmsFouGlC AmwFiGlCl EmhavAme Gto
CWhat I really wanna Esay
EAh, baby
EWhat IAm really wanna say
GIs I've got mine
FAnd I'll make it
FOGh, yes I'm comiAmng up
AmTell FSanchito that Gif
GHe knows what is good for hAmim
AmHe best gFo run and Ghide
GDaddCy's got Ama new FForty-Five
FAnd IC won't think twice to stick
CThat barrel straight Edown Sancho's throat
EBelieve me Amwhen I say that I got
AmSomGethin' for his punk ass
CWhat I really wanna knEow
EAh, baby
EOoh,Am what I really wanna say
GIs there's just onFe
FWay backG, and I'll make Amit, yeah
AmMy soul Gwill have to waAmit
AmYeaFh, yeah,C yeaAmh

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All Chords Used (8)
KeyE major
CapoFret 4
Tempo~90 BPM

How to play Santeria by Sublime on guitar

These are the sounding chords. With a capo on fret 4 you play C, E, A, Am, G, F and more, the shapes the player above shows.

Santeria is a great song to learn because it sits in a relaxed groove and lets you focus on clean changes without feeling rushed. You get a steady, laid-back feel that sounds good even when you keep the playing simple, so it is a strong pick for building confidence.

The chart uses a mix of open and barre shapes, so the main challenge is moving smoothly between the easier E and A shapes and the harder G#, C#, C#m, B, Bm, and G#m forms. Watch the opening move from E to G# to C# to C#m, since that shift asks you to stay precise while keeping the rhythm even.

Start by looping just E to G# to C# to C#m until the shapes feel automatic. Then add the rest of the progression and keep the tempo slow enough that every change lands cleanly. Once your hands know the sequence, bring it up to speed little by little and aim for relaxed, even transitions.

Use the play-along above to follow each chord change in time with the music, or learn the shapes first with the chord diagrams below.

Looking for more? Browse the full guitar song library or explore chord diagrams.

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