Laufey - Madwoman

Laufey · 120 BPM · 4/4

Laufey - Madwoman

Laufey · Capo 7

0:000:00
CapoPlace capo at fret 7; pitch is unchanged.

Fm

Fm134111
Fm作曲D# :F#m LaDmufey/ESpF#menD#cer DmStewart
 SuF#mch a terrD#ible idea
 Worst one I'Dmve had all thiDs year
DBut IFm can't D#ignore ouF#mr obvious D#attraction
 IDm imagine how it enC#mds
C#mUp iEmn flames,Fm we'll go again
FmSeF#meking chaoG#ms, can't help gD#iving into passion
 But there's something Dso vexing 'bout you
DIt's likeEm the gods DaboveD# us don't approve
 We've been through this befF#more
F#mFell in and out, I said, "No moreDm"
DmBut still, I want Gmyou like a mad, maFmd woman
C

♪ instrumental ♪

CI remiGmnd myAmself how he'd
 QuestFmion everything 'bout Eme
ECall me stupid as a mindless joke
 YoFmu hypnotized me as we spoke
 PuC#mrely mythoDlogical with the F#mugliest soul
 You wouDld think that he is holding me fEmor ransom
 'Cause D#there'sF#m something so vexiFmng 'bout you
DmIt's like thF#me gods abovGme us don't approDve
DWe've been through this before
 FeGmll in and outD#, I said, "No more"
 But stF#mill, I want you likGme a mad, mad wC#oman
Gm

♪ instrumental ♪

GmMade it to the final hDmour
DmBut the wine begins to sour
 And I'm sFmeeing myself iF#mn a dreadful fashion
 Then theDm fog begins to clear
 As FmI'm gasping at clEean air
EI remember hoD#w together, wGme're so C#handsome
 'CauGmse there's something so vexing 'boutE you
EIt's like thFme gods above uC#ms don't approve
 We've been throEmugh this before
 Fell in and out, I saiF#md, "No more"
C#mBut still, I want you likGme a mad, mad woman

Tap any line to jump

All Chords Used (13)
KeyA# major
CapoFret 7
Tempo~120 BPM

How to play Laufey - Madwoman by Laufey on guitar

This song is a great beginner pick because it sits in a steady groove at about 120 BPM and lets you focus on clean changes instead of speed. The feel is calm and reflective, so you can work on control and even timing while still sounding musical.

You will mix open shapes like Am, A, Dm, G, and Em with harder barre shapes like Cm, A#, and C#m. The main thing to watch is the move through the opening progression, especially from Cm to A# to C#m and then into Am, since that shift can test your hand position and pressure.

Start by looping just the opening progression slowly until each shape feels secure. Then practice the barre shapes on their own, add the open shapes, and only after that bring everything up to full tempo. Keep your strums even, and let the changes become automatic before you push speed.

Use the play-along above to follow each chord change in time with the music, or learn the shapes first with the chord diagrams below.

Looking for more? Browse the full guitar song library or explore chord diagrams.

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