Train Wreck

James Arthur · 120 BPM · 4/4

Train Wreck

James Arthur · Capo 2

0:000:00
CapoPlace capo at fret 2; pitch is unchanged.

Em

Em23
EmLaying in the silence
EmWBmaiting for the sirens
AmSigns, anCy signs EmI'm alive still
EmI don't wanna lose it
EmBut I'm not getting through this
EmHeAmy, should CI pray?
CShouEmld I pray? Yeah
EmTo mDyself
DTo a God? To a saviour who Ccan
CUnbreak the brEmoken
EmUnsay these spoken woCrds
CFind hope in the hopeless
CPGull me out the train Cwreck
CUnburn the aEmshes
EmUnchain the reactionCs
CI'm not ready to die not yet
CPuGll me out the train wCreck
CPull me out, pull mEme out
EmPullD me ouCt
CPull me out,Em pull mDe out
DUndEmerneath our bad blood
EmWe'Bmve still got a sanctum, homeC
CStill a home, sEmtill a home
EmIt's not too Clate to build it back
C'Cause a Emone-in-a-million chance
EmIs still aD chance, still a chance
DAnd I would take those Codds
CUnbreak the brEmoken
EmUnsay these spoken worCds
CFind hope in the hopeless
CPuGll me out the train wCreck
CUnburn the aEmshes
EmUnchain the reactions
CI'm not ready to die, not yet
CPuGll me out the train wCreck
CPull me out, pull meEm out
EmPullD me oCut
CPull me out, pull meEm out
EmPull mDe out
DYou cCan say what you like 'cause seeEm, I would die fDor you
DI'm down Con my knees and I need you to bDe my God
DBe my help, be a saviour whCo can
CUnbreak tEmhe broken
EmUnsay these recklesCs words
CFind hope in the hopeless
CPGull me out the train Cwreck
CUnburn the Emashes
EmUnchain the reactionCs
CI'm not ready to die, not yet
CPulGl me out the train wrCeck
CPull me out, pull mEme out
EmPulDl me ouCt
CPull me out, pull mEme out
EmPull me out
D

♪ instrumental ♪

Tap any line to jump

All Chords Used (6)
KeyA major
CapoFret 2
Tempo~120 BPM

How to play Train Wreck by James Arthur on guitar

These are the sounding chords. With a capo on fret 2 you play Em, Bm, Am, C, D, G, the shapes the player above shows.

This song is a strong one to learn if you want a steady, emotional pop feel at a moderate pace. It sits well under the fingers and gives you a good workout without feeling overly busy, so you can focus on clean changes and a smooth groove.

You’ll spend time moving between open shapes and barre shapes, with D, E, and A feeling more relaxed and F#m, C#m, and Bm asking for more hand strength and accuracy. The change to watch closely is the opening move from F#m to C#m to Bm to D, since it shifts you through several harder grips before landing on an easier shape.

Start by looping the opening progression slowly until your fingers find each shape without tension. Then practice the barre chords on their own, add the open shapes, and only after that bring everything up toward the song’s tempo. Once the changes feel automatic, play along from start to finish and keep the rhythm even.

Use the play-along above to follow each chord change in time with the music, or learn the shapes first with the chord diagrams below.

Looking for more? Browse the full guitar song library or explore chord diagrams.

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