greedy

Tate McRae · 120 BPM · 4/4

greedy

Tate McRae · Capo 2

0:000:00
CapoPlace capo at fret 2; pitch is unchanged.

C#m

C#m9fr134111
C#mHe said, "Are you sEmerious? I've tried, but I can't figure out
 I've been next to you all night and stilEml don't know what you're about
 You kEmeep ta-ta-ta-talking, but not much coming out your mouth
EmCan't you tell that I want you?", I say, yeah
EmI would wantC myself
CBaby, please beAmlieve me
AmI'll pEut you thrEmough hell just to know me, yDeah-yeah
DSo D#sure of yCourself
CBaby, don't get gAmreedy
AmThat Eshit won't eEmnd well
EmNo, it Dwon'tD# end well
 I sEmee you eyeing me down, but you'll never know much past my name
EmOr how I'm runninAmg this roomEm around, and that I'm still half your age
EmYeah, you're lE-l-l-lookinAmg at me like IEm'm some sweet escape
EmObvious that you want me, but I said
 I would wanCt myself
CBaby, please beAmlieve me
AmI'll puEt you thEmrough hell just to know meD, yeah-yeah
DSo sure of yCourself
CBaby, don't getAm greedy
AmThat **Em** won't end well
EmNo, it wonD't end well
DHeAm said, "I'm just curious, is this for real orDm just an Emact?
EmCan't tell if you love or hDate me, never met someone like that
 DArive me so-so, so crazy, diEmd you knowAm you got that Emeffect?"
EmI said, "Lemme check"
 Yeah
 I would want Cmyself
CBaby, please beliAmeve me
AmI'll Eput you throEmugh hell
EmJust to know me, yeahD-yeah
DSo sure of yCourself
CBaby, don't getAm greedy
AmThat shit wonEm't end well
EmNo, it wonD't endD# well
D#IC would wantAm myseEmlf
EmI would want Dmyself
DI would Emwant myself
EmI woCuld want AmmyseEmlf
EmI wouDld waAnt Gmyself

Tap any line to jump

All Chords Used (10)
KeyF# minor
CapoFret 2
Tempo~120 BPM

How to play greedy by Tate McRae on guitar

This song is a great pick if you want a modern pop groove that feels steady and confident. At about 120 BPM, you can lock into a simple pulse and focus on clean changes instead of speed. It is beginner friendly, but it still sounds polished when you keep your timing even.

You will mix open shapes like D, E, F, Em, and A with harder barre shapes like D#m, F#m, Bm, F#, and B. The main thing to watch is the opening move from D#m to F#m, then down to D and Bm, because that shift asks you to move between barre and open grips without losing the beat.

Start by looping the opening progression slowly, then practice the two barre changes on their own until they feel automatic. After that, add the open shapes and keep the count steady. Once the chord changes are smooth, bring it up to full tempo and aim for relaxed, even strums.

Use the play-along above to follow each chord change in time with the music, or learn the shapes first with the chord diagrams below.

Looking for more? Browse the full guitar song library or explore chord diagrams.

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