Africa

Toto · 93 BPM · 4/4

Africa

Toto · Capo 3

0:000:00
CapoPlace capo at fret 3; pitch is unchanged.

F#

F#2fr134211
F#ComA#me on up
A#mHF#eFmyF#
 I hear tF#he drums echoing tonA#might
A#mBut G#she hears onlCmy whiFmspers of G#some quieF#t conversaA#mtion
A#mShe's cominF#g in 12:30 fligA#mht
A#mThe mooG#nlit wiCmngs reflect tFmhe staG#rs that guide me tA#mowards G#salvation
 IA#m stopped aF#n old man along the waA#my
A#mHoping G#to find soCmme longFm forgotten wordsF# or ancient melA#modies
A#mHe turned to me as ifD#m to say
D#mHurBry boyF#, it's waitingG# thD#mere for yoF#u
F#It's gonna takeC# a lot to D#mdrag me awayB from F#you
F#There's nothingC# that a hundredD#m men or more coulBd ever dF#o
F#I bless A#mthe rains C#down in Africa
 GF#onna A#mtake someF# timeA#m to do thG#e thingFms weG# neveF#r G#had
 TheFm wild dogsF# cry out in the niA#mght
A#mAs theG#y growCm restleFmss longinG#g for some solitary compaA#mny
A#mI know that I mF#ust do what's right
F#AsA#m sure asG# KilimanA#mjaro riseFms like OlympA#mus aboF#ve the SeranA#mgetti
A#mI seek to cure what's dD#meep inside
D#mFriBghteneF#d of this C#thing thD#mat I'veB becoF#me
F#It's gonna take a lot toD#m drag me awaBy from yF#ou
F#There's nothing C#that a hundredD#m men or more Bcould ever F#do
F#I bless tA#mhe rains C#down in D#mAfricF#a
F#GonA#mna taF#keA#m some G#time tFo F#dG#oA#m theF# A#mthiG#ngCmsFm weF# nevA#mer hD#mad
 HBurry boF#y, she's wC#aitingD#m there for F#you
F#It's gonna take a lot toD#m drag me awF#ay from you
F#There's nothinC#g that a hundrD#med men or morBe could everF# do
F#I blessC# the rainsD#m downB in AfriF#ca
F#I passed somC#e rains down in Africa (I bBless the raiF#ns)
F#I bless C#the rains dowF#n in Africa
F#I passed someC# rains doD#mwn in AfricBa (I F#bless)
F#I bless the A#mrains down in C#Africa (gonna takeD#m some timeF#)
F#Gonna take someA#m time to do the things we never had

Tap any line to jump

All Chords Used (9)
KeyC# minor
CapoFret 3
Tempo~93 BPM

How to play Africa by Toto on guitar

This song is worth learning because it has a smooth, iconic feel and a steady groove that sits nicely under the vocal line. When you play it well, it sounds relaxed but still polished, with just enough movement to keep it engaging. The pace is moderate, so you can focus on clean changes and letting the progression flow.

You will mostly move between open shapes and barre shapes, so the contrast is a big part of the challenge. The open A, D, and E shapes should feel familiar, while C#m, G#m, B, D#m, F#m, and G# need more hand strength and accuracy. Watch the shift from A into C#m, then back to A and into G#m - that is a change to lock in first.

Start by looping the opening progression slowly and getting each chord to ring clearly. Then practice the barre shapes on their own, add the open shapes back in, and only after that bring the full sequence up to tempo. Once the changes feel automatic, play along with the track and keep your strumming even and relaxed.

Use the play-along above to follow each chord change in time with the music, or learn the shapes first with the chord diagrams below.

Looking for more? Browse the full guitar song library or explore chord diagrams.

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